WINTERKÄLTE:

Since their founding in 1991 WINTERKÃLTE's Drum'n'Noise  stands for progressive electronic music without any compromises and borders.
Live on stage they are like a force of nature< describes quite
good how merciless their live performances overrun the audience and carry
the crowd away to destroyed and contaminated landscapes. Walls of pounding
and complexe electronic beats melt together with turned in sounds and crazy
noises to a danceable maelstrom of electronic sounds. This is Rhythm'n'noise at its best.

--
HANDS
www.handsproductions.com

RASPUTEEN__founded in 2003 by a worthless bunch of unemployed subhumans. various activities since then...

Nullvektor [D- Electrophrenique - Industrial - Techno]

TWINKLE [Fr- Industrial Electro Breakbeat]

Mercydesign [D- music is made of metal, thoughts are made of vapour]

New Album! Record Release concert

@ Schlagstrom Festival (Sleepless Records Berlin)

CX2 CX2 ist die Forf..hrung des Projektes Chapter X von Themothy Moldrey und IotaFx (Yoanes). Mitglieder von CX2 sind IotaFx und Tube. Angestrebtes Klangziel ist es, Musik mit Elementen aus allen Musikrichtungen zusammenzuf..hren getreu nach dem Motto "Weg hauen, was nicht nach L..we aussieht, den Pegel hochziehen und den H..rern ordentlich was auf die Ohren geben!" Das Ergebnis ist rhythmischer, industrieller Krach. CX2 verstehen sich als groovige, industrielle Avantgarde.

SCReening IPT [Bln/dk- because you are worth it]

SCReening IPT is an interdisciplinary project between greta christensen [aka vinyl horror] (dk) and dr. nexus (de) with focus on sound and installation:
presented in a complex system of hundreds of meters of wires connecting inventions and modified hi-fi equipment. turntables,
rythm-mashines, radios, effects:
feedbacking, looping, playing forwards, backwards, side ways, up-side down:
mixed into a dark and atmosferic sound experience.
http://www.the-script.de

Yura Yura & Macha Mélanie

Live performance and dance by Macha Mélanie (Darklight creature with bright
and fluorescent clothes) on Yura Yura's rhythmic noise music.

Alarmen [D- Abstract - Ambient - Industrial]

OKO is a musical and visual collaboration between two artist,both with an interest in improvising agressive noise - performed live.Neither the sound nor the spektacle take center stage,but costantly wrestle for the spectator..s attention.The performers are Robert Heim on electronics and Aleks Slota on voice and visuals.Heim has a long history of musical innovation,starting his musical career as bassist in a variety of bands,moving on to creating live electronic dance music,ambient soundscapes and now live noise,in some ways coming full circle.Slota has been creating visual art for well over a decade,with a strong emphasis on performance art.He also provided vocals for the math metal band,Hexacron.OKO is an attempt to create a total environment,enveloping the audience in its presence and communicating through multi-sensory,abstract impulses that are intended to provoke a deep individual experience.

SKRØDER [dk- Sonic solutions and loud breakdown by a one man band]

EUCLID // INDUSTRIAL // POWER ELECTRONICS // NOISE
TARGET // MOVEMENT // CONTEMPLATION // ACTION

Sonar started in 1996 as a project from Dirk Ivens (Dive / The Klinik / Absolute Body Control ) and Patrick Stevens ( Hypnoskull ) with the aim to create rhythmical noise and dark soundscapes, music with a combination of analogue and digital instruments. Patrick left in 1998 and was replaced by Eric van Wonterghem ( Monolith / Insekt / Absolute Body Control ). The rhythms remind to working machines, the soundscapes to droning planes. The sound of Sonar is made to make you move in another way, to tune you into a hypnotic beat. It is a straightforward sound which goes further on classic industrial but never without an extra dimension of powerful dynamics and tuned electronics. Sonar is looking for a contemporary definition of danceable industrial and tries to discover this by controlling electronic devices.

Portion Control are one of the most influential and copied harder edged electronic bands in the world. They have been honored and name checked by the likes of Depeche Mode, Skinny Puppy, Front Line Assembly, NiN & Orbital. Formed in London in 1979 they have produced a stream of critically acclaimed releases. 2006 saw the release of archive a boxed collection of 5 CD's that included all the portion vinyl now they forge on unfettered by typical genre thinking, continuing to deliver a unique, innovative, updated and relevant sound that is theirs alone                                                                           

Morgenstern's dark music consists of strange, hypnotic loops, distorted powernoise and heavy death industrial tunes. Deep drones with occasional samples are slowly transformed into a quiet wind tunnel groan with sporadic echoes of thumps and bumps from far-off objects in the background. The music flows into a rythmic tribal drum ceremony where various pitches of wind noise through a pipe are layered in, while electrodes snap, a rythmic helicopter sounds and firecrackers pop. War-torn screams and cries are blended way into the background. Tribal powernoise rhythms and dark ambient: from ceremonial processions to hypnosis and hysteria, being relaxed on the outside and at the same time restless on the inside. Morgenstern was founded in '93 as the solo project of Andrea Börner, who was also a member of the legendary project Ars Moriendi (1990-95). She's still a part of the ambient project Templegardens. The production of Morgenstern's works is actively supported by Philipp Münch of Synapscape and Andreas Schramm of Asche.

HYBRYDS since the mid 80 -ties working in the ritual - mythical -industrial and magical music scene. This band is known for its mind-expanding sound. Primitive ethnical and contemporary industrial influences are blended to create a unique style that has influenced many who were looking for spiritual dimensions. In the beginning of the 80 -ties, Sandy Viktor Nys, (aka Magthea,)the male side of the HYBRYDS was involved in THE KLINIK, in the mid 80 - ties he worked on his own personnel music style. Based on ancient influences and modern technology. release concert - Urban rituals by Hybryds on Sleepless Records Berlin

incite/ is the Hamburg-based audiovisual electronics duo of Kera Nagel (solo: axiomatic integration) and André Aspelmeier (solo: GradCom). Mixing eye-catching experimental audiovisual art with dynamic distorted IDM grooves, the duo criss-crosses art and club worlds, creating intense experiences for ears and eyes. Fragmented electric junk, fragile bursts of static noise and extra-charged sub-bass-kicks join abstract monochromatic imagery. incite/ play seriously weird glitch and quasi-danceable grooves in synced conjunction with intense grayscale visuals.
Live shows are the main focus of incite/. Since April 03 Kera and André have played far more than one hundred gigs: tours in Europe and the US, and many gigs on international media festivals

Job Karmapostindustrial group based in Wrocław, Poland, started in 1998.
The group employs a wide variety of means of expression, ranging from synthetically prepared electroacoustic structures and sampling, to distorted or processed rhythms or even melodies. Through their music and carefully selected and prepared imagery and videos they seek to deal with the dysfunctional elements of contemporary civilization, the looming war and annihilation, the inimical political and religious system and the slow decline of all values due to the progressive commercialisation of the day-to-day life of an individual and society.
Since 2000 they have been running an on-going project "RYTUAŁ," concerned with the effects of civilisation’s progress on the human condition, and involving site-tailored music and video materials to be performed at specific locations, such as a thermal power plant, a cathedral, a synagogue or Chernobyl. Since 2001 FRETT teamed up with BAGIŃSKI and together they have been organising the annual WROCŁAW INDUSTRIAL FESTIVAL, a major contemporary event designed to popularise the contemporary varieties of industrial music and culture.

Wieloryb was established in 1994 in Gdansk, Poland.
At first it consists of four members from different formations from the Tri City. They play quite experimentally. In the same year they release their first album called “I”. Wieloryb, as one of the first Polish industrial bands, starts playing live in the country and abroad. Wieloryb plays with such musicians as Jimi Tenor and Pan Sonic. In 1995 they release their second official album: “II”.
The current musical path WIELORYB decided to walk along is industrial rhythmic noise, inspired by ever existing rhythm.
The city noise, the heart beat, the rhythm of machines, the pulse… Consistent, regular, repetitive… Birth, pain, sex, death.

SUDDEN INFANT Joke Lanz aka SUDDEN INFANT creates a unique blend of physical sound-poetry and dadaistic vocal expressions, using contact microphones, prerecorded soundloops and noises. Member of the infamous SCHIMPFLUCH collective, singer of the notorious CATHOLIC BOYS IN HEAVY LEATHER and long time accompanist of Rudolf Eb.er, he's presenting his work since more than 20 years all over the world. Born in Switzerland, now based in Berlin, Joke Lanz has collaborated with the likes of Z'EV, Carlos Giffoni, Peter Kowald, Christian Marclay, Norbert Möslang, DJ Olive, G.X. Jupitter-Larsen, Christian Weber, Charlotte Hug, Jorge Sanchez-Chiong, Roger Rotor, Strotter Inst, Evil Moisture, Astro, Small Cruel Party and many more. Music for contemporary dance, theatre, sound-installations and films. Innumerable releases on international labels e.g. Entracte, RRR, Tochnit Aleph, Blossoming Noise, Artware, Klanggalerie, SSSM. Artist residencies in Berlin (1999) and London (2004). Composition assignment by Pro Helvetia Arts Council of Switzerland (2006).

Schultz and VDREY

SCHULTZ was a projected created in 2002.

The project really took-off in 2006, when Schultz joined VDREY. (www.vdrey.canalblog.com), a talented painter and on-stage performer, who was herself looking for a musician to perform with.

Since then, they have been performing on stage together, Schultz playing his harsh-industrial music Live (mostly influenced by M-Tronic, Hands, Parametric, Ant-zen, Hymen recordings) and VDREY painting erotic and fetish oriented shapes.

With 3 albums and several participations for international compilations, this project have played in countries like France, Latvia, Germany, Uk, Swiss, Holland in small events and big events like WGT or Dark Dance Treffen.

Zuckendes Fleisch [Bln /Ir- the twitching howl of a city of insects]

Havblik Audio are exploring the area between sound and music,
improvising with the use of effect machines, tape recorders and circuit noise.
Our reference point is our common fascination of the ocean, as well as
our environmental awareness.
Havblik Audio is the sound of the pristine nature below the surface,
as well as the pulsating beat from a coasters engine room.

Vinyl-terror &-horror [dk- "disasters" - a composition for 8 turntables]

under more you can find friends / Artists we support and like ;-)